European Institute for Sound Studies (EISS)

Division: Zero – Sub-Audible and Silent Cultures

Researching frequencies below zero since 1998.

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About

The European Institute for Sound Studies (EISS) is a public research entity focused on the documentation and analysis of sound, silence, and sonic culture across Europe.

Divisions

Division: Zero is dedicated to the study of sub-audible phenomena, low-frequency environments, and silent movements within electronic music and art.

Methodology — Division: Zero

(Sub-Audible Frequency Cartography)

Division: Zero maintains a continuous research practice centered on the study, mapping, and interpretive analysis of low-frequency, near-silent, and sub-audible acoustic environments within contained or abandoned infrastructure across Europe. These are not neutral spaces; they are historically sedimented, technically obsolete, and materially charged. Their sonic conditions function as both data and cultural residue (Restgeräusch).

1. Site Selection

Sites are selected based on archival trace, infrastructural memory, or evidence of prior sonic transmission: unused telecom relay chambers, shuttered industrial nodes, silent club basements, disused elevator cores, sealed municipal corridor networks, decommissioned server vaults. Their acoustic state is not “empty”; it is ongoing. These sealed architectures operate as slow memory devices.

2. Data Acquisition

Measurements combine qualitative observation with numeric low-frequency capture (Niederfrequenzaufnahme). Using professional field recorders, contact transducers, and low-noise preamps placed directly into architectural material, we gather extended-duration recordings at minimal amplitude. The goal is not representational fidelity, but the preservation of threshold states — the region where sound is nearly not-sound.

3. Processing Pipeline

Raw recordings are preserved as uncompressed WAV data. In parallel, numeric extractions (peak envelopes, spectral rolloff, infra-energy drift, resonance decay rates) are processed into CSV format for comparative indexing and reproducibility. Each dataset is paired: sonic object + analytic vector.

4. Interpretation

Interpretation proceeds through acoustic analysis, cultural semiotics, and long-form listening protocols (Langsames Hören). Division: Zero treats these recordings not as absence-of-signal but as culturally saturated micro-archives: leftover conditions, suppressed residues, artifacts of infrastructural silence.

5. Publishing / Transparency

All public outputs of Division: Zero appear in paired form: WAV + CSV. This dual release structure enforces methodological accountability and invites multi-disciplinary reading. These materials are published in small iterative sets rather than single synthetic claims. The aim is not totalizing theory — but incremental documentation of the silent European infrastructural unconscious.

Team

Division: Zero is maintained by a small trans-European research cell whose work operates between archival recovery, media theory, and the phenomenology of non-sound.

Dr. Ulrike von Hertz

Senior Research Fellow — Sub-Audible Practice

Ulrike leads theoretical mediation inside the Division: extending the concept of anticipatory entrainment and framing silence as a formal cultural operator rather than a negation. Her work focuses on memory, latency, and how bodies continue rhythmic behavior after the signal disappears.

Camille Arnaud

Media Restoration Specialist

Camille manages the engineering dimension of absence: stabilizing degraded low-signal film, normalizing spectral thinning, and rendering lost Sub-Audible phenomena as technical trace. Their work exists in the boundary between what was recorded, and what was merely implied.

Saskia Vermeer

Cluster Coordination & ECENA Liaison

Saskia maintains the narrow corridor between Division: Zero and the external academic world. She negotiates selective correspondence, translation of research intent, and the careful handling of institutional opacity.

Prof. Otto Weissmann (Emeritus)

Founder

Weissmann established the Division in Berlin, 1998. His personal notebooks remain internally referenced, rarely cited publicly, and serve as the silent scaffolding beneath this work.

Archives

The Quietest Beat (2025)

A restored documentary chronicling the rise and fall of Sub-Audible Techno in Berlin, 1996–2003. Watch on YouTube.

HushFest Archive (1999–2003)

Digitized footage and oral histories from the final years of Das Leise Kollektiv - Watch on YouTube.

EISS-DZ/05/2005

“Sub-Audible Techno — Archival and Field Studies 1996–2003.” ECENA Cultural Research Programme. Download PDF.

Internal Research Agenda Update (15 January 2026)

PDF – Internal / Staff Circulation. Download the full programme update here. Download PDF.

CFP 2026 — Silence as Practice: The Political Future of Non-Sound

We invite short papers on sub-audible practice, anticipatory entrainment, documentation of non-sound, and the political economy of silence.

  • 150–250 word abstract
  • 80–120 word bio
  • Deadline: June 30, 2026
  • Email submissions: submit@eiss-zero.eu
  • Event: October 2026, Berlin

Contact

In cooperation with:

  • Institute for Applied Quietude
  • Rundfunk Null
  • Ministry of Culture (Division of Experimental Practices)
Alexandrinenstraße 128
10969 Berlin
Germany
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Contact: press@eiss-zero.eu

Telephone: +420292333220